As she embarks on retirement, Teresa Berger reflects on a life of spirituality and scholarship

Timothy Cahill '16 M.A.R.
Teresa Berger

Teresa Berger / photo by Mara Lavitt

On Sunday, June 29, a day before her official retirement as Professor of Liturgical Studies and Thomas E. Golden Jr. Professor of Catholic Theology at Yale Divinity School and the Institute of Sacred Music, Teresa Berger posted a picture on Facebook of a keyring with two keys on a desktop. “On this Solemnity of St. Peter,” she wrote, “I handed over the keys to my YDS office.”

The Solemnity of June 29 is a Roman Catholic feast day marking the martyrdom of Saints Paul and Peter. “Prince of the Apostles,” gatekeeper of heaven, and regarded by Catholics as the first pope, St. Peter is, as Berger’s post noted, “the one who holds the keys to the kingdom.” The holy day, she concluded, “seemed the right ritual moment for this act of dispossession.”

Invoking the liturgical calendar to mark retirement was, as comments to the post soon suggested, quintessential Berger. A half century ago, when she committed herself to the profession of liturgical studies, she meant to build a life where spiritual practice and scholarly pursuit would be so intertwined they’d become a single occupation. 

Berger says it was a “radical choice” to step away from her faculty position at Yale and “leave behind work I have loved and always flourished in.” Nearing 70, she saw the time was right to surrender life in the classroom for time spent at her writing desk, where she is at work on a book about liturgy, ecology, and Christianity seven years in the planning.

Over the course of two telephone conversations, including one while she was in Europe at the end of May, the German-born Berger reflected on the moments that guided her path. She spoke candidly of family, of evangelical awakening, of Catholicism, of the perfection of liturgical studies, and of her new project, which aims to redraw the map of how we view worship and the natural world.

Evangelical commitment

Berger has the kind of life story that supports belief in fate or Divine providence.  A child of cultured, upper-middle-class parents in what was then West Germany, she grew up imagining life as an intellectual professional. “I wanted to study law and languages and work at the European Parliament in Strasbourg,” she recounted in a 2006 memoir essay entitled, “An AutoBioTheoEnthnoGraphy.” “My alternate plan was to study Chinese and archeology.”

But her dreams of parliamentary bureaucracy or Far-East expeditions were erased at 16, when an invisible hand changed her life with an experience “as simple as it was profound.” 

While visiting relatives in London, Berger went with her cousins to an evangelical youth meeting, where the teens prayed and worshipped without the go-betweens of priests, prayer books, or elaborate rituals. The meeting was worlds away from the Catholic Mass Berger was raised on, and it filled her with an unexpected radiance. “I have never been the same since, although I have no idea what shook me so profoundly,” she wrote in her memoir. “I do know that with that evening began a time of fervent adolescent evangelical commitment.” 

As a result, she explained in May when we spoke, “I just wanted to preach the Gospel on street corners.” 

That plan, to say the least, was not what her parents had foreseen for Berger. Her father was a judge with a J.D. in both canon and secular law; her mother, though denied higher education because of her gender, was erudite, devout, and self-possessed. During World War Two, she’d belonged to that part of the Catholic Church deeply suspicious of Nazi ideology; a decade later, she named her first daughter for the 16th-century Spanish mystic and saint Teresa of Avila.

The family practiced a sober, intellectual form of Catholicism, observant but not sentimental. Instead of rosary beads and images of the Sacred Heart of Jesus, Berger grew up among books that encouraged a rigorous Catholic imagination: papal biographies, the works of Thomas Aquinas, encyclicals by Pope John XXIII.

So, after the straight-A student spent a summer publicly evangelizing the Good News to strangers, Berger’s mother looked for a way to redirect young Teresa’s religious fervor back toward her academic promise.

“After some negotiation about what to do with me,” Berger said in our interview, “I was shipped off to Saint John’s College in England, an Anglican training college. It was on the evangelical side of the Anglican church, so I accepted going there. Living in community at this college reconciled me to intellectual pursuits as part of my spiritual life.”

She graduated with a Licentiate of Theology, a three-year degree tailored for students not aiming for ordination. Though she left college with the same aspiration as when she entered—to preach on street corners—she’d also been awarded a prestigious scholarship by the West German government in recognition of all her straight A’s in high school.

“They thought me worthy of this scholarship without me doing much about it,” she said. “I suddenly had payments coming in to think more deeply about my faith.”

If getting paid to be a scholar was “sort of second best for me at that point,” Berger knew a good opportunity when it threw itself at her. “I thought, why not park myself somewhere thinking deeper about my faith while I figure out how to preach the gospel on street corners.”

Liturgical studies

She pursued a master’s degree at Johannes Gutenberg University in Mainz, on the banks of the Rhine. There, steady application of faith and reason returned her to her religious roots. “I thought myself intellectually back into the Catholic realm,” she said.

It was also in Mainz, where she took a seminar titled “Liturgy in the Face of Death,” that Berger met Prof. Hansjakob Becker and discovered her calling. Still today, her career and scholarly passions are “rooted in the encounter with this course by this professor of liturgical studies,” she explains. “I thought, ‘Finally, somebody is teaching something in this whole theology world that has to do with real lived life.’” 

“I was spellbound,” she continued, “not only by the materials we studied, but by this person who combined a deep knowledge of the liturgical tradition with a very profound faith. I realized that’s what I wanted for myself. Not theology as an abstract scholarly discipline, but as something intensely connected to my journey of faith. Prof. Becker was the person who did that. He had a faith that was deeply mystic, but also full of the reality of pain and disappointments and the dark night of the soul. That spoke to me.”

Before the seminar, Berger was uncommitted about her direction in graduate school. “I loved Hebrew and studying the Hebrew Bible. For a while I thought ethics was the center of the theological universe. And I always found theology and theological questions fascinating.”

Afterward, all other disciplines were “dwarfed in comparison to what liturgical studies allowed me to be,” she said. “In liturgical studies, I get to do everything that fascinates me about theological inquiry. I get to ask theological questions. I get to deal with biblical texts. I can use Hebrew and Greek and Latin. I get to do history. I get to ask pastoral questions. I get to do performance theory. I get to do music. I get to do art. It’s the richest, most multidisciplinary form of theological engagement in the universe.”

Teresa Berger during her Duke days

Photo of Teresa Berger during her time at Duke

‘You will never make it’

Later, as she neared completion of her master’s, Berger advised her professor, now also her mentor and advisor, that she intended to specialize in liturgical studies. His first instinct was to discourage her.

“I was in his office,” she remembered. “He stood me in front of a mirror and said, ‘Look at you. You are a woman. You will never make it in this field.’ He didn’t say it because he didn’t believe in me. He said it because he knew what I would be facing.”

In Catholic Germany at that time, liturgy was taught almost entirely by priests, occasionally by laymen like her professor, and never by women.

“There wasn’t a single woman teaching liturgical studies in Germany when I started,” Berger said. “As a woman, it didn’t take long to realize that my body was out of place in a totally male-dominated field.”

Berger persevered. After Mainz, she spent a year at Geneva University, completed her first doctorate in Protestant theology at Heidelberg University, took a second Ph.D. in Catholic liturgy at the University of Münster, and stayed on there to earn a rigorous post-doctoral degree. Yet when she applied for teaching positions, she was turned down at Protestant institutions because she was Catholic, and denied the necessary imprimatur to teach at Catholic universities by the Vatican. 

When she appealed her denial, her claim was ultimately rejected by Cardinal Joseph Ratzinger, who went on to become Pope Benedict XVI. Her faults included insufficient theological training (Berger: “If you’re a woman, I guess you need three Ph.D.’s”); advocating for the ordination of women priests (“I’d never said anything about that in print”); and having changed the gender of God. “I thought, wow, I didn’t know God had a gender, and I didn’t know I had the power to change it. But not everybody in the Vatican is a gifted theologian.”

Stymied at home, she turned to the United States, in 1984 accepting an appointment as a post‑doctoral research fellow at Duke Divinity School. She stayed at Duke for the next 23 years, rising through the ranks to full professor, and publishing, as author or editor, 11 books on topics ranging from Methodist hymnody to global feminist liturgies. She forged a reputation as a groundbreaking scholar in a field she helped develop, captured in the title of her 1999 monograph, Women’s Ways of Worship.

To Yale

In 2007, Martin Jean, director of the Institute of Sacred Music, invited Berger to apply for a new position on the Liturgical Studies faculty. “He wooed me patiently,” she recalled. And insistently. 

“I had zero interest in moving within the States,” Berger remembered. “I hadn’t applied for the job at Yale because I had no interest in it. Martin called me and said, ‘Would you mind flying up here and just talking to us?’ What did I have to lose? After talking with folks at Yale, I could always say ‘You just confirmed my suspicions that I’m not looking for another job.’”

The opposite happened. 

“The visit opened up possibilities in my mind. The lure was being able to switch to liturgical studies. At Duke, I taught systematic theology right out of my first doctorate. But at YDS, I could still be a theologian, and also foreground my passion for liturgical studies in ways I couldn’t at Duke.”

Still, she was unprepared for “how profoundly ISM changed and enriched my scholarly trajectory,” she said. “One really needs to live within the community of scholars, students, musicians, and other artists here, day after day, to appreciate the intellectual and artistic vibrancy that ISM enables.”

She had the same effect on her colleagues.

“Teresa brought new life, new ideas, enthusiasm, and fresh thinking to the department,” said Bryan Spinks, Bishop F. Percy Goddard Professor Emeritus of Liturgical Studies and Pastoral Theology at YDS and the ISM, with whom Berger co-edited two books. Before she arrived, Spinks said, his approach to liturgy had been conditioned by his Cambridge University training: textual, historical, and, he allowed, somewhat “narrow.” Berger “opened my eyes to other tools that were important to look at in terms of culture, social setting, and other forces. Those things were dawning on me, but she brought them into bigger focus.”

YDS Dean Greg Sterling, saluting Berger’s “exemplary career,” singled out her appointment in 2014 to the inaugural Thomas E. Golden Chair in Catholic Theology. He noted that Berger was “a regular ‘go-to’ person for issues relating to Catholicism,” not just at YDS but campus-wide.  During the recent Vatican conclave that chose Pope Leo XIV, for instance, the University distributed a short film of her walking Old Campus as she explained the papal selection process.

In May, Berger was honored by the ISM with the announcement of a festschrift organized by liturgical studies professor Melanie Ross ’04 M.A.R., ’07 M.Div. Among the colleagues and friends who offered testimonials at the event was Martin Jean, who had coaxed her to New Haven 18 years earlier.

Jean praised her for “a restless curiosity, an irresistible imagination, a rugged work ethic,” and evoked a friend’s observation that Berger was “a cutting-edge scholar with the faith of a Bavarian peasant woman.” 

“If I had almighty power,” the director wrote, “and could craft the ideal ISM faculty member, I could not do better than what God did in crafting you. I would never be so bold, so daring, and, well… so crazy!”

All creation worships

Of the six books Berger published while at YDS, the one that brought her the most attention was her 2018 study titled @ Worship: Liturgical Practices in Digital Worlds, an investigation and analysis of the then-fringe activity of “cyberworship.” The book seemed daring when it appeared, and came to look prophetic after COVID lockdowns forced all worship online.

Today, Berger regards her interest in the subject as “a blip.” After the publication of @ Worship, she “put the topic away,” intending “never to look at it again.” Though the pandemic-inspired interest in her book confirmed her insights about online religion, the widespread attention it created was as distracting as it was vindicating. 

By then, she had turned her thoughts to a new and richer seam of inquiry, the ways worship is enacted at every level of the natural world. Evidence that “all creation worships” is voiced throughout the Hebrew Bible and early Christian texts, Berger argues, but has long been overlooked. She is at work on a rigorous historical-theological reclamation of the ancient tradition, a book that “centers on one very specific theme among the many that belong to the shared terrain often described as ‘religion and ecology,’” as she wrote in a 10-page annotated outline. The study “is a vision of worship as offered to the Creator by everything created.” 

This is the subject that commands her full attention today. Berger explained that the decision to retire came down to the difficult choice of either continuing to serve Yale, her intellectual and professional home, or devoting herself fully to completing Benedicite: All Creation Worships, the fruit of many years of thought and research.

“I realized that, with aging happening, I couldn’t do both,” she said. “So, I decided to commit to this writing project that I have had for seven years now, and have never made much progress on.”

“The overarching vision of the historiographic labor is one of worship not as a human posture towards the Holy One, but as the posture of everything created. I re-situate human beings not at the center of the encounter with God, but as latecomers to this worship. I’m making a theological claim that everything created worships.”

In the Q&A below, Berger discusses the genesis of her book, its main themes, and its importance in a world beset by ecological disasters.

Timothy Cahill: I want to turn finally to your current project, your book Benedicite: All Creation Worships. You describe it as “A Theology of Liturgy for a Planet in Peril.” As I understand it, you began formulating your conception that “all creation worships” at a 2018 ISM conference you organized, called “Full of Your Glory: Liturgy, Cosmos, Creation,” with Rowan Williams, the 104th Archbishop of Canterbury, giving the keynote. Was the idea already nascent in your mind when you organized that conference?

Teresa Berger: Yes, I’d been thinking about the topic for some years and thought we needed to put it on the map for liturgical studies. That was the idea. I wrote a fairly sustained introduction to the conference papers when they were later published, and afterward kept saying to myself, this needs more, this needs more. It took me a long time to find the particular focus that I was passionate enough about to make it the subject for a scholarly monograph. And then of course, COVID intervened and the rest is history. But I’m back with it now.

You’ve also said that part of the impetus for the 2018 conference and for your book came from studying contemporary liturgical attempts at greening worship. What did you find?

Much of that work, as well intentioned as it is, lacks any deep knowledge or engagement with the tradition that is there. So often you get these glib claims—”the church or the liturgy until now has been creation-oblivious, and now we need to do something about it.” The examples are ample and somewhat embarrassing. “Let’s have native wildflowers in the sanctuary!” I mean, that’s nice. It certainly beats having plastic flowers in the sanctuary. But if that’s the level at which you attend to this planetary problem, that won’t do it.

Yes. As you’ve observed, a sufficient awareness of creation does not begin and end with Saint Francis of Assisi. Simply evoking Francis once a year becomes a glib way of writing the subject off, of dealing with it superficially and ticking the box.

Yes. Francis becomes a sort of poetic fool for God who is so singularly creation-attuned he stands outside of tradition. I could quote you 10 examples off the top of my head of similar intentionalities in the Catholic tradition. But they are less known, less studied. The map hasn’t been created to show that there is a whole strand in our tradition like Francis. It’s important to unearth it and for us, as Christians, to situate ourselves within that larger existing tradition, rather than to think, “Oh, we need to invent, for the first time ever, how to be in conversation with all created reality.”

You’ve said something similar about the land acknowledgements that are now done at Yale and other institutions. How would you approach that practice?

I find acknowledging Indigenous peoples with land acknowledgements very moving, very appropriate, and very important. Not all of them are phrased well, but the point is important. Similarly, what if we acknowledged the created world, the bioregion in which we live and within which we worship? What if a “creation acknowledgement” were prayed before every liturgy that names the created realities in which that community finds itself? For me, in New Haven, that would be the Quinnipiac watershed and horseshoe crabs and what have you. What would that be like?

That not only recognizes the native tribes that once occupied the land that we’re on now, but it also honors what we know to be the Native American attitude toward the land, the same gratitude toward the Creator that you advocate in your book.

Yeah, sure, but what I want to say with my book—look, for a long time we’ve been lusting after Indigenous attunement to creation, and shaming the Christian tradition for not having it. I’m saying, but it does have it. We just have to unearth it. We need to learn our own tradition differently. I love to learn with Indigenous communities and from them, but it’s not the point of my work. I want to speak to our ignorance of the Christian tradition and the creation attunement contained there.

The easy criticism of that tradition is that, in Genesis, God okays our “dominion” over the earth, and with the exception of Saint Francis, Christianity allows us to madly and righteously exploit resources and pillage the planet. That’s the narrative you’re working against.

Yes, exactly.

You’re putting a historiographical foundation underneath what already exists, whether it’s Daniel or Psalms or an obscure early Christian text like The Testament of Adam, which inventories which hour of each day the different creatures shall praise God. All these sources have been easily shrugged off as rote or anodyne, but you’re saying, “No. All creation praising the Creator is central to our tradition.”

Yes. The overarching vision of the historiographic labor is one of worship not as a human posture towards the Holy One, but as the posture of everything created. I re-situate human beings not at the center of the encounter with God, but as latecomers to this worship. I’m making a theological claim that everything created worships. How that happens and how I can discern it as a human being, I don’t know exactly, but I also don’t need to know in order to sustain the theological claim. 

Does this require that the term “worship” be redefined?

It depends on how you define worship to begin with. If you define it purely as what human beings do in relationship to God, it might need a redefinition. Our tradition from the Psalms onward, however, thinks of worship as something much larger than what human beings offer to God.

I’m trying to put the idea into words in a more positive sense, something like “worship is the acknowledgement of creation and the Creator’s role in our existence.”

That’s too weak for me. You can get away with too much with that. I mean, it’s there in Augustine and Aquinas—human beings worship intentionally and the rest of creation just worships by being the best form of, let’s say, a butterfly that it can possibly be. I think that’s hubris. We are thinking of ourselves on too-inflated a level when it comes to worship. The most important thing is not to figure out how all the other created elements worship, but to ground human worship in this broader worship by all creation. Then we can worry about how exactly we think a mountain worships. And we may come to a point where we say we don’t need to know that, as long as we can understand ourselves as fellow worshipers.

Your project does two things at once, I think. It both insists on humility on our part, but it also dispels a kind of estrangement or isolation we can feel from the rest of nature.

Yes, absolutely. Look at what science tells us. If we go back far enough, it’s the same DNA. I always find it funny that human beings do analysis of their own DNA, and yes, you find out that you might have a bit of Neanderthal in you, but it stops with human beings. And I think, wait a minute. Ninety-something percent of our DNA is shared with apes and chimpanzees. And if you go back, every life form begins with the same ancestral DNA. Pope Francis would say everything is interconnected.

You just anticipated my next question, which is to ask how instructive, inspirational, useful was Pope Francis’s 2015 environmental encyclical Laudato Si’?

Oh, to have a pope in an encyclical attend to the natural environment! There are some gorgeous, poetic passages in it that say exactly what I want to say. And, of course, Pope Francis also acted on these convictions, with solarizing the Vatican and a host of things like that. So yes, I loved having him as Pope. And I’m still waiting for Pope Leo to step up to that particular challenge.

In Laudato Si’, Pope Francis explicitly challenged unchecked growth and unsustainable consumption, especially in developed countries, as devastating to the planet. Though it’s not at all the thrust of your work, your project does intrinsically contain the same critique. 

Absolutely. Because you cannot murder fellow worshipers. I mean, we do it all the time—look at Ukraine and Russia. So, let’s say you shouldn’t. Francis says somewhere in Laudato Si’ that by decimating species we are silencing the voices of praise. We are destroying a choir of diverse voices.

And not just praise. You also will have a chapter on lament. How does that relate?

Some years ago, I noticed that earlier liturgical practices of the “We need to give thanks for the sun and the moon and the butterflies and the beauty of the earth” kind have transitioned to postures of lament, certainly in many environmental activist groups. It sent me back to the Scriptures and our liturgical tradition to trace voices of lament. And what I found is that, as with praise, it’s not only human beings who lament. In the tradition there are voices of other creatures lamenting. Reading some of these ancient sources, I found that as often as not other creatures don’t just lament, but they lament human evil-doing before God. That was startling to me. 

Timothy Cahill ’16 M.A.R. is a writer specializing in religion and the arts.